KICK ASS-
HOW IT WAS PRODUCED-
· It was made on a budget of $28 million.
· Double negative did a lot of the special effects; also they used CGI through green screens to make a lot of the scenes.
· $8 - $9 million was spent on special effects.
· Mark Miller and Jane Goldman developed the script further from what it was.
WHAT IT WAS BASED ON-
· Based on comics from marvels chief writer Mark Millar.
· He also worked on wanted which took $350m.
PROBLEMS WITH MAKING IT-
· There was false promotion as the trailer included some humour.
· This idea of humour is thought to have given viewers the idea it was a bit of a spoof.
THE DIRECTORS VIEWS-
· He put his own money into the film so he took the largest cut.
HOW THEY SAVED MONEY-
· The final box office figures were just over $96 million worldwide.
· They saved money by filming in the UK.
· The cast was very low budget without any big A-list stars.
TECHNOLOGY USED-
· Set in Manhattan, filmed in London using green screens.
· Used media composer to get high res plates of Manhattan.
· Phaze UK’s facility includes four fibre-networked Pro Tools|HD® workstations, as well as a mix stage outfitted with an ICON D-Command® console.
· Noise-reduction plug-ins from Waves, iZotope, and Avid.
HOW RATING AFFECTED PERFORMANCE-
· The film was rated a 15.
· This meant that a large portion of the target audience (teenage boys) could not go and see the film.
· Also some of the more extreme scenes would have to be removed.
CONTROVERSY-
· The film was not seen as well in the US as the girl in it says c*** which meant more people went to other films.
· Teenagers do not want to see a film if they have to see it with their parents.
PROMOTION-
· Posters were made that featured the characters on separate sheets.
· More posters were produced to show the heroes in more detail, these also included web addresses for each character which in fact lead straight to the Kick Ass website.
· Advertising costs were nearly $10.5 million and Lionsgate, the distributers, took a large cut of the box office figures.
THE SOUNDTRACK-
· Material ranging from Elvis to The Prodigy.
· Soundtrack snippets from 28 Days Later and Sunshine.
· The "music composed by" credit lists four names: John Murphy, Henry Jackman, Marius De Vries and Ilan Eshkeri.
· Kick-Ass is a case of temp-track love. To get the film feeling more like a film in the early stages of completion, scenes are often cut to existing movie scores as a temporary placemat. Sometimes this music fits so well that it's hard for the director to consider replacing it.
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